Let’s give X-FILES: ALBUQUERQUE the benefit of the Truth

Fox threw fans of legendary 1990s pop-culture phenomenon The X-Files a curve ball last week by announcing the development of a brand new, spin-off series.

X-Files: Albuquerque, which is currently being worked up for the network (and by extension their overlords, Disney), is planned to be an animated comedy revolving around a collection of “misfit agents who investigate X-Files cases too wacky, ridiculous or downright dopey for Mulder and Scully to bother with.” as described by TV Line’s Michael Ausellio. The project has a ‘script and presentation commitment’ from Fox (translated: if they like the script, they’ll let them make it) and is being developed by Rocky Russo & Jeremy Sosenko, with X-Files creator Chris Carter and his former PA/Season 11 scribe Gabe Rotter overseeing as executive producers. The old and the new joining forces, essentially, for a new chapter in the history of the series.

I say series because The X-Files will, if this does come to fruition, take the first steps to becoming a franchise; not just one singular, iconic series any longer, but rather part of a broader tapestry that could expand beyond the adventures of Fox Mulder & Dana Scully, who with David Duchovny & Gillian Anderson in the roles investigated America’s paranormal secrets between 1993-2002, across two movies, and then between 2016-2018 for what will, almost certainly, be a swan song for the traditional era of that show. Fans don’t want to admit it (I run an X-Files podcast so, trust me, I know), but the original series of The X-Files is done. Anderson doesn’t want to revive Scully again. Season 11 wrote the show into a corner, effectively, and it’s hard to imagine just what else you could do with the middle aged Mulder & Scully now that hasn’t been done.

In other words, this might be the right time for Albuquerque, if you subscribe to the idea The X-Files should even become a franchise at all.

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A Slayer Reborn: Buffy and the Reboot Question

Every July weekend at San Diego Comic Con, the biggest geek showcase on the planet where all the major studios and productions roll up to drop exclusives and surprises, you always get one announcement which courts a level of controversy and/or deep analysis. This year it wasn’t even the debut of a trailer for the Jodie Whittaker-fronted, Chris Chibnall-era new series of Doctor Who—which is going to almost certainly lead to a Star Wars-esque online tirade from grown man children at the idea of a woman playing the Doctor. 2018 had another major female figure from popular culture waiting in the wings get people talking: Buffy, she of the vampire slaying.

More specifically, the fact that Joss Whedon is overseeing, though likely not directly show running, a modern reboot of his legendary 20th Century Fox series which remains one of the bastions of 90’s pop culture, female empowerment, and genre storytelling. Note the word here that is crucial: reboot. Not revival. Not continuation. A reboot.

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