Rage Against: X-Men – Dark Phoenix (2019)

Dark Phoenix is not quite the coda to the X-Men franchise that you might have expected going in.

For quite some time now, general feeling among a large swathe of the movie going audience invested in comic book cinema has been the belief that Dark Phoenix would be a significant let down. Despite the critical successes, even taking into account their flaws, of X-Men: First Class and X-Men: Days of Future Past, X-Men: Apocalypse was a strong case of diminishing returns (critically and financially as it turns out) which took a lot of air out of the X-Men balloon when it came to enthusiasm for the next generation of the franchise – having established new versions of Jean Grey, Cyclops, Storm etc… to help presumably carry the X-Men saga into a new era. With Bryan Singer no longer involved in the production due to the allegations against him, and long-term writer Simon Kinberg making his directorial debut, plus the usual report of reshoots of the final act and the film’s release being pushed back over half a year, the omens for Dark Phoenix outdoing Apocalypse and providing a satisfying end to this iteration of the saga were low. Perhaps the biggest surprise about Dark Phoenix, in which case, is that it *is* a better film than Apocalypse and just about accomplishes what it sets out to do.

Let me state this clearly for the record: Dark Phoenix is not a great X-Men film, or comic-book movie in general. When up against the heights of the medium, be it the Marvel Cinematic Universe at its peak or The Dark Knight trilogy, Dark Phoenix cannot compete. It is at times noisy. It can be unintentionally funny in how overwrought the central story finds itself. It suffers from some of the worst villains in the entirety of comic book cinema. It ignores elements of its own continuity and numerous character arcs for expediency. Plus it lacks a great deal of depth when it comes to the underpinnings geopolitical and social aspects that made the X-Men films more than just effects-driven spectacles. It focuses so tightly on one character journey in particular that much of the saga’s entertaining subtext is rejected. Yet despite all of this, it is not incoherent. It is a better adaptation of ‘The Dark Phoenix Saga’, the 1980 comic story from Chris Claremont and John Byrne, than X-Men: The Last Stand gave us. It does manage to give key characters Charles Xavier and Erik Lensherr, as well as Jean Grey of course, dramatic through-lines which tether to the core narrative in a satisfying way.

And, perhaps as best it could, Dark Phoenix gives a level of closure to the X-Men franchise that we can probably live with.

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TV, Book, Movie & Podcast Roundup – May 2019

Welcome to June! Because there’s not enough useless information floating around on the internet, I thought I would update readers of this blog as to what I’ve watched/read over the previous month, each month, in the form of TV, movies and books.

Some of this I will have reviewed on Cultural Conversation but others I’ve just been watching for enjoyment with Mrs Black.

Let’s start this month with TV…

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What if killing off Daniel Craig’s James Bond makes sense?

Another day, another James Bond rumour. Of all the great franchises out there, 007’s—perhaps appropriately—seems to play its cards the closest to its chest. Eon Productions always rations information about where their legendary character is going right up to the point they are ready to announce his destination, and for what looks to be Daniel Craig’s fifth and final outing in the role, this time is no different. Yet this time the rumour mill, courtesy of a story in The Express, has thrown up an unusual possibility.

The as-yet-untitled Bond 25 will end, apparently, with the death of James Bond.

This got me thinking, because the typical reaction to this would be a shocked gasp, a firm shake of the head, and a stiff dry Martini. “James Bond can’t die!” You can almost hear the clamour of middle-aged men who have been following this franchise since Roger Moore bedded women half his age in a safari suit angrily huffing those words, shaking off another nonsense newspaper report with various rebukes. “Bond is the main character!” “Bond is the hero!” “Bond, in the end, wins the day, kills the bad guy, saves the world and shags the girl over a load of diamonds which were being used to power a gigantic laser in space!” (or something).

Here’s where I’m wondering… maybe Daniel Craig’s 007 *should* bite the bullet.

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