BOMBSHELL: the haunted, toothless response to a destructive political culture

Bombshell never lives up the explosive promise of its title.

While satire has caught up with the age of Donald Trump, what with Alec Baldwin’s razor sharp Saturday Night Live impersonations which have infuriated the humourless Bigly-in-chief, cinema has to date struggled with how to capture not just this most divisive of Presidents but also the culture he has fostered in American politics and mass media. Jay Roach’s Bombshell is one of the first significant efforts to explore what this means for a country Hollywood has struggled in since 2016, defined as it is by ostensibly liberal values – even if economically they are far more conservative than they would ever let on.

The doorway opened for screenwriter Charles Randolph, best known for penning Adam McKay’s The Big Short, to detail this fairly recent chapter of American political life following the death in mid-2017 of Roger Ailes, the long-standing CEO of Fox News, as controlled by the global conglomerate under Australian tycoon Rupert Murdoch. Ailes no longer being able to litigate allows Bombshell to tell the story, primarily, of Megyn Kelly, the Fox News host who with previously dismissed host Gretchen Carlson stood up to years of pervasive, institutionalised sexual harassment by Ailes within the Fox News system, triggering a lawsuit that saw Ailes reputation in tatters and cost him his position. Within just under a year, that failure apparently killed him.

Bombshell, therefore, could easily have exploded as such and entirely destroyed Roger Ailes and the broader, Trumpian culture of old, white male abuse in the public eye. So why does it end up so remarkably toothless?

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Film Music Monthly Recommendations – January 2019

Film music has long been a passion of mine, but I’ve realised I don’t really talk about it on Cultural Conversation as much as I would like. 2019 I plan to remedy this, partly with a monthly cluster of recommendations.

The aim will be, similar to my end of year lists, recommend five albums by highlighting a track from them each. The idea will be for this list to drop at the start of the month and concern films to be released in UK cinemas that month, accompanied by a Spotify playlist which goes into a bit more depth about each album.

January 2019 to start, then, featuring tracks from composers including Alan Silvestri, Max Richter and Rob Simonsen…

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