NED STARK: You think my life is some precious thing to me? That I would trade my honor for a few more years… of what? I grew up with soldiers. I learned how to die a long time ago.
Numerous precedents are set by Game of Thrones with ‘Baelor’. It is the first episode to be directed by Alan Taylor, who would make his name as one of the key, signature directors of the first two seasons. It is the first penultimate episode of the series to establish the show’s unique narrative style of delivering a blockbuster climactic tale just before the season finale. And it is the episode which killed off not only the biggest name actor in the series, but the character everyone began watching Game of Thrones convinced was the protagonist. By now we knew Game of Thrones had its own set of rules. ‘Baelor’ confirms it.
As I’ve discussed in my breakdowns of the previous episodes this season, Ned Stark has been heading for the chopping block since the moment he arrived in Kings Landing, and there has always been a sense in Sean Bean’s weight-of-the-world performance that Ned knew it. This was a noble character in a world without nobility, a feudal system which may ostensibly be ridden with stories of dashing, daring, brave heroes, but is shot through with a realistic, cynical modern day sensibility in George R.R. Martin’s world-building which often heaps scorn on the kind of characters who would try and live by rules of courtly, honourable behaviour.
Cersei Lannister told Ned just a few episodes that you either win at “the game” or you die, but Ned never really knew how to play that game at all. He was a character straight out of a different world, which was precisely the point; the moment he concedes he may have to start playing, not to win but rather to survive, his life is quite ceremoniously cut short. It’s just one of the stark (pun intended) ironies of Game of Thrones.