Welcome to September! Because there’s not enough useless information floating around on the internet, I thought I would update readers of this blog as to what I’ve watched/read over the previous month, each month, in the form of TV, movies and books.
Some of this I will have reviewed on the blog but others I’ve just been watching for enjoyment with Mrs Black. This edition covers both July and August collectively.
Let’s start this month with TV…
Continue reading “TV, Book, Movie and Podcast Roundup – Summer 2019”
You know when people say “don’t watch this one unless you’ve seen the last one”? Well, that statement may just peak with Spider-Man: Far From Home, particularly when it comes to the Marvel Cinematic Universe.
The ‘one’ in particular isn’t even the previous solo Spider-Man film, 2017’s Homecoming, because the MCU has changed the game when it comes to how sequels work. Homecoming introduced the supporting characters in Peter Parker’s direct orbit but Jon Watts’ precious picture was neither Tom Holland’s first bow as the character, and Homecoming serves as an important part of the ongoing, overarching narrative in the first era of the MCU which concluded recently with the ‘one’ I am talking about – Avengers: Endgame. That’s the film you need to have seen before Far From Home as Watts’ Spider-Man film serves as an extended epilogue to the epic conclusion to the Infinity Saga, not to mention a coda to that first, decade-spanning era.
Far From Home is about the legacy of an era which reinvented exactly what the ‘superhero movie’ was. Marvel Studios, under Kevin Feige’s aegis, took the formula and tropes we had come to know and understand from the previous three decades since 1978’s seminal first Superman adaptation, through a legion of Batman movies and beyond, and subverted them pretty much from the get-go. Robert Downey Jr’s Iron Man didn’t spend half a dozen films hiding his identity as Bruce Wayne did – he came out and told the world right at the end of his origin story. The MCU interweaved characters and narratives to develop the first ongoing, television-style serialised structure in cinematic history. Along the way it brewed up broad comedy, epic action, science-fiction and half a dozen other genres—often within the same films—inside which the traditional ‘superhero’ nestled.
What we have seen in previous Marvel pictures before Endgame, and which Far From Home makes abundantly clear, is that Marvel’s self-aware subversion of that formula has *become* their formula itself.
Continue reading “SPIDER-MAN: FAR FROM HOME proves Marvel’s formula-breaking *is* their formula”
“Part of the journey is the end” says Robert Downey Jr’s Tony Stark at a key point in Avengers: Endgame, a phrase which could neatly punctuate Marvel Studios’ remarkable conclusion to the first era of their Cinematic Universe.
Endgame is a staggering achievement. It is, without question, *the* biggest superhero movie ever made. It makes last years Infinity War look, at times, like an indie movie. Okay, that’s a bit of an over-exaggeration, but there is one sequence in particular toward the climax of Endgame which is just, quite frankly, jaw-dropping in its ambition and scale. It was one of several moments over the next few minutes which had the audience in my screening cheering, whooping and gasping in joy, surprise and the impact of what Endgame provides, and provides in absolute spades: payoff. Payoff to ten years of narrative and character investment from an audience which has grown, some who have grown *up*, with the Avengers.
It therefore comes as a surprise to report that Endgame, on first blush, is not as solid or accomplished a piece of cinema as Infinity War, or Avengers Assemble, or Black Panther, Thor: Ragnarok and certainly the first Guardians of the Galaxy movie. It easily dwarfs every single MCU movie to date in scope, without a shadow of a doubt, but by its very nature there are structural issues, and problems with certain beats of characterisation, which are going to become more of a sticking point for critical fans once the euphoria and magic of Marvel’s fan service begins to wear off. This is a euphoria I share, by the way, right now, to the point I am itching to see Endgame again very soon.
Endgame is a film which, certain problems aside, will absolutely make you feel a whole range of emotions by the end. If you’re invested, this is a powerful experience.
Continue reading “Avengers: Endgame (2019)”
2019 is now upon us which means another year of pictures that are likely to thrill, spill and disappoint in equal measure. Some we know a lot about, some we know little, but I thought I’d pick out 12 for 12 of those I’m the most intrigued to see.
These aren’t one film per month or anything, but are probably in order of my excitement. Let’s explore some of what’s to come…
Continue reading “12 Films, 12 Months – Movies to look out for in 2019”