London Film Festival 2020: AMMONITE

★ ★ ★

If one were to be slightly facetious, an alternate title for Ammonite might be Portrait of a (Cornish) Lady on Fire.

What rubbish! Mary Anning was from Dorset, I might hear you cry, and you would be correct. Francis Lee’s follow up feature to the low budget but hugely well-received God’s Own Country plays, however, in much the same wheelhouse as Celine Sciamma’s feminine potboiler which has taken the film world by storm over the last year (I need to give it a second watch as it left me powerfully indifferent). Comparisons between both films will be evident, as Lee’s semi-historical narrative dials into the lovely story between Kate Winslet’s brittle palaeontologist Anning and Saorise Ronan’s depressed city wife Charlotte Murchison – a scientist herself in real life but portrayed more for dramatic effect here as the spouse of a paleontology ‘tourist’ and wealthy boor.

Historical accuracy isn’t first and foremost the point of Ammonite.

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London Film Festival 2020: ONE NIGHT IN MIAMI…

★ ★ ★ 1/2

London Film Festival 2020 is running from October 2nd through to October 19th, and I’ll be variously covering a few films from the event this year…

On one calm evening in 1964, in the heart of Miami, four men gathered who would, in their own way, influence not just black culture but 20th century American history.

One Night in Miami… is that story, the ellipsis at the end of the title in service of the urban fable that such a confluence suggests. This quartet reflect four quadrants of experience as the Civil Rights movement was gathering steam in counter-cultural America, each overlapping the other. Malcolm X (Kingsley Ben-Adir), founder of the Nation of Islam and black power scion; Cassius Clay (Eli Goree), the self-proclaimed greatest boxer there ever is, ever was or ever will be, on the verge of Muslim conversion; Jim Brown (Aldis Hodge), NFL linebacker and legend who has grown weary of his path; and Sam Cooke (Leslie Odom Jr), one of the greatest voices in soul who ever lived, currently trapped within a sphere of white middle-class appeasement he cannot escape.

Regina King’s debut feature is a contained night in the life; a reckoning between four black cultural and political titans heading in the same direction while treading very different roads to get there.

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