Masquerade operates in a tricky position within the scope of Alias’ debut season and, arguably, marks the beginning of what in any other series would be a clear, delineated two-part episode.
Alias may appear ostensibly to be a highly serialised, propulsive rocket of a series, but it has flirted with trying to tell smaller, condensed arcs within that broader structure, often connecting episodes with specific themes or characters. Color-Blind and Reckoning, for instance, which focused on Sydney Bristow coming face to face with her fiancee Danny’s assassin; Mea Culpa and Spirit, which dealt primarily with a mole hunt in SD-6, and of course The Box which actually *was* a two-part episode and condensed Alias’ format down in a way the show would never as tightly repeat again, despite directly playing off a major narrative beat in the previous episode.
Masquerade is the beginning of such a double episode and the epilogue to, essentially, a three-part story.
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