2019 Top 10: Movies

As we close out 2019, it’s time to put together a few Top 10 lists based on my key entertainment passions – film, TV and film scores.

I’ve gone back and forth on decade lists but I suspect I’m just going to keep to 2019 releases on the blog, and maybe do something more with the decade on my Twitter or FB, so stay tuned in that regard.

Next up – movies! I’ve done quite well this year, managing to watch a good 50 movies from the calendar year, which is more than I sometimes manage. So I feel placed to at least come up with a reasonable Top 10, even though I know I have a few blind spots & certain films will probably push out the lower films on this list eventually. But that’s for the future, so here goes…

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New Podcast: MOTION PICTURES #6 – ‘Scorsese & Marvel: Civil War’ (The Irishman)

The latest episode of my podcast about cinema with my friend and podcast buddy, Carl Sweeney.

Motion Pictures is designed to be more of an informal, free-flowing chat about movies, geared around a topic of the week. There will also be choice episodes around an idea, whatever takes our fancy really! It’s an exciting project.

As The Irishman arrives on the scene, we’re this week discussing Martin Scorsese, Marvel and ask the question…

What exactly is cinema?

In the last few months, Scorsese and Marvel have, via Film Twitter, been at war, after Scorsese described the Marvel cinematic juggernaut as “not cinema”. Is he right? Is he wrong? Does it matter? Is the answer less important than people’s reaction to it?

It seems to have triggered a debate over the direction of modern cinema. Blockbuster franchises vs smaller fare. Distribution models with Netflix bankrolling The Irishman when major studios wouldn’t. Are we facing cinematic hegemony? Or is the market simply evolving & adapting?

And crucially, is there art or craft in Black Panther to the same degree as The Irishman or Goodfellas? Worlds apart in tone and texture, do they all apply as pure cinema?

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