Mission Impossible III (2006)

Mission Impossible III may not be the strongest outing in the franchise, but it may be the most human.

Surprisingly, this works as both a strength and to the film’s detriment in the eyes of many. For everyone who considers Mission Impossible II the weakest episode of the saga, which you can find my thoughts on here, not far behind will be a detractor of JJ Abrams’ sequel to John Woo’s own take on Bruce Geller’s kitsch 1960’s series. This, to me, is hard to fathom, and not simply as a big fan of Abrams and the dominance his works have achieved on pop culture, both in television and cinema.

The reason this revisionist disdain for MI:3 is strange to me is because Abrams’ movie arguably saved the franchise, and allowed Tom Cruise to not just reinvent his character Ethan Hunt but position Mission Impossible as a series which blended fantasy escapism with a relatable heart and soul.

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Dawn of the Planet of the Apes (2014)

If Rise of the Planet of the Apes was about the hubris of man bringing on its own self-destruction, Dawn of the Planet of the Apes switches the gears to focus much more heavily on ape society, and how unwitting leader of their new civilisation Caesar can rule and govern a world alongside what’s left of humanity.

Following the critical and commercial success of Rise in 2011, it was expected that Rupert Wyatt would continue and develop the story of Caesar (Andy Serkis) and the rising planet of the apes into the almost inevitable sequel. The plan between he and producer Rick Jaffa was to build back toward the story of the 1968 original Charlton Heston movie, in which his lone surviving astronaut ultimately finds himself on a future, post-apocalyptic Earth which apekind have inherited; indeed in Rise we see the launch of the Icarus, the very same space mission to Mars, more than suggesting we were heading back to a probable remake of Planet of the Apes – ignoring Tim Burton’s poor 2001 attempt.

Suddenly, Wyatt left the project late in 2012 when 20th Century Fox’s planned release date of May 2014 was deemed far too close to write, produce and direct what was already announced as Dawn of the Planet of the Apes, especially considering the sheer amount of CGI work needed to put Caesar and his world on screen. Matt Reeves, still riding the success of sort-of indie, sort-of found footage, sort-of blockbuster Cloverfield in 2008 and at that point developing a Twilight Zone feature remake, was drafted in as his replacement. Reeves very much took the ideas Wyatt laid down in Rise and evolved them in a way one suspects differently from how Wyatt himself would have gone.

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