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Joe Pesci

2019 Top 10: Movies

As we close out 2019, it’s time to put together a few Top 10 lists based on my key entertainment passions – film, TV and film scores.

I’ve gone back and forth on decade lists but I suspect I’m just going to keep to 2019 releases on the blog, and maybe do something more with the decade on my Twitter or FB, so stay tuned in that regard.

Next up – movies! I’ve done quite well this year, managing to watch a good 50 movies from the calendar year, which is more than I sometimes manage. So I feel placed to at least come up with a reasonable Top 10, even though I know I have a few blind spots & certain films will probably push out the lower films on this list eventually. But that’s for the future, so here goes…

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From the Vault #10: GOODFELLAS (1990)

From 2012 onwards, before developing this blog, I wrote a multitude of reviews on the website Letterboxd. In this irregular series called From the Vault, I’m going to haul these earlier reviews out of mothballs and re-purpose them here.

This one is from April 26th, 2014, revisited with Martin Scorsese’s The Irishman having landed…

David Chase, creator of hit HBO series The Sopranos, once described Goodfellas as ‘my Koran’ and it’s very easy to see why. Martin Scorsese’s epic crime drama about the rise & fall of Henry Hill, and through him the mythology of the ‘gangster’, truly is a remarkable piece of cinema from start to finish.

What Scorsese does is paint a vivid, kinetic portrait of a descent into fame & fortune, glamorising the so called ‘wise guy’ without oddly enough ever making it appealing. In adapting Nicholas Pileggi’s book about Hill, Wiseguy, Scorsese manages in many respects to tell a cautionary tale about the perils of, as Henry himself puts it from his very first line of a continuous narration, ‘always wanting to be a gangster’. Goodfellas shows that while it may in some respects be a charmed life, it’s also a hollow existence fraught with unexpected danger, paranoia & viciousness that can destroy the souls of men.

Scorsese shows that in magnificently entertaining fashion, both visually, through a sublime screenplay, and some peerless acting.