Remember the time that backstory was just that? Backstory.
Many of the most successful TV shows and movies are specifically built on a sense of their own mythology and world building. Game of Thrones has a series of vast novels to draw on which detail an incredibly complicated social and political eco-system, for example. Backstory, the details of the universes of these tales and the histories of many characters within the stories, provide the unseen depth and ballast to the tale we are being told, the tale we are invested in.
In recent years, however, the trend of this has begun to shift. Our biggest stories within popular culture are now becoming obsessed with backstory not just being developed to enable the narrative, they are instead *becoming* the narrative. Storytellers are actively attempting to try and ‘plug gaps’, for want of a better term, in continuity and canon, believing it seems that audiences are as obsessed with these minor details as the writers of these properties appear to be. We are losing the element of ambiguity, surprise and mystery.
We are losing backstory by exploring too much of it.
For 25 years, FBI agents Fox Mulder and Dana Scully have been shining their flashlights into the shadows, searching for the truth. To celebrate this anniversary, IDW Publishing is launching a new series of The X-Files: Case Files!
Under this banner, faithful fans will see the release of numerous micro-series, featuring stories that explore X-Files of the past and present by top talent from comics and prose!
In “Florida Man…” Scully and Mulder are sent to a small Florida town to investigate a rash of bizarre crimes only to find themselves in the clutches of an alligator-worshipping cult…
The recent history of The X-Files in comic form has been an interesting one, informed in many respects by the revival of the show on FOX over the last three years. The first part of ‘Florida Man’ begins a new phase for IDW’s license of Chris Carter’s series called Case Files – an anthological approach to the adventures of Agents Mulder & Scully investigating the paranormal across America.
Joe Harris until last year had been carrying the torch for The X-Files under IDW, firstly with his originally-canonical ‘Seasons 10 and 11’, which picked up roughly from where second movie I Want to Believe left off, and later his own tie-in ongoing issue set within the continuity of the revival. His approach to The X-Files was frequently arcane, mythic and certainly in the ongoing issues set roughly during Season 10, highly political – indeed this caused his run on the series to draw criticism in certain quarters given how unashamedly anti-President Trump and the alt-right he was in his writing. While politics and The X-Files have always been key bedfellows, many wanted more of a streamlined take on Carter’s show. Case Files may well end up being what they wished for.
Though written after Alias aired, ABC launched a 12-book series of tie-in novels set before the pilot episode, ‘Truth Be Told’, which explore Sydney Bristow’s life before the series. I’ll be looking at them one by one as we move through exploring the series itself…
There are several reasons why developing a tie-in book series for Alias aimed at the young adult market makes a lot of sense. For a start, with Sydney Bristow, you have a defined heroine for, specifically, a female market who will find the struggles of a nineteen year old girl on the one hand being a dork around boys, and on the other obsessing whether she is capable enough to become a CIA super-spy, fairly relatable – which is precisely what author Lynn Mason puts her through in Recruited. Secondly, there is a very clear narrative black spot in the Alias backstory open for further exploration.
When we first meet Syd, in the Alias pilot episode ‘Truth Be Told’, she is a fully-fledged super-spy. She is still young, around her early-mid twenties, but we get the impression of a woman who has been working for SD-6 for quite some time. She’s travelled the world, fought bad guys. She has friends, a fiancee and is thinking of marriage. She has grown into a persona where she can become someone else at the drop of a hat. We will see the origin story of that on screen with the Rachel Gibson character in Season 5 much much later on, but Alias’ tale begins with Syd already there. The conflict that drives her in the series, which the pilot establishes, is in learning SD-6 is, in reality, a sinister crime syndicate pretending to *be* the CIA. The show, therefore, skips Syd’s origin story.
As the much-anticipated eleventh and almost certainly final season of The X-Files kicks off 2018, a remarkable fan theory has begun to arise in certain social media groups from the first two episodes: that The X-Files has slipped into an alternate universe. On the face of it, the notion sounds as crazy as the kind of cases Agent Fox Mulder has in his basement office, but could some nugget of possibility ripple beneath this theory?
A major factor backing up the assertion was confirmed in season premiere ‘My Struggle III’ (thoughts on which are espoused here in depth), in the fact Agent Dana Scully imagined the previous Season 10 finale ‘My Struggle II’ in her mind’s eye, a remarkable twist eradicating the events of an entire episode only sold to the audience by virtue of Scully having been gifted of it thanks to a vision from her long-lost son William. The catastrophic, world-ending, apocalyptic events of the Season 10 finale ended up simply as information for Scully to understand, a warning perhaps of knowledge to help she & Mulder prevent the release of the deadly Spartan Virus that wipes out humanity. So the theory goes, however, Scully’s vision wasn’t just a prophetic warning of terrible events to come, but rather an entire alternate reality she, and we, have experienced since The X-Files returned to our screens.
The main reason this theory interests me is because of the underpinning factors about The X-Files‘ return which is giving the idea significant ballast for some fans; principally how some fans would love nothing more than to see Season 10 essentially erased from canon. There is a growing feeling amongst a fraction of The X-Files fandom that a chance could have arisen to handily ignore some of the missteps considered to have arisen during the six-part revival season, principally the significant changes to established series mythology and problems & inconsistencies about the portrayal of Mulder & Scully. The theory to my mind seems less about having a cogent, satisfying narrative reason for two timelines being in play and rather looking for an excuse to pretend certain original creative choices in 2015 didn’t happen.