From the Vault #3: TERMINATOR GENISYS (2015)

From 2012 onwards, before developing this blog, I wrote a multitude of reviews on the website Letterboxd. In this irregular series called From the Vault, I’m going to haul these earlier reviews out of mothballs and re-purpose them here.

This one is from July 3rd, 2015. Having just rewatched this one in advance of Terminator: Dark Fate, I pretty much stand by these four year old words, even if I was kinder then to the central duo than I was on a rewatch and Tweet thread I did…

There is no fate but the filmmakers make. That should be the new motto for the Terminator franchise, which since T2: Judgment Day way back in 1991 delivered what effectively would have been a perfectly bittersweet conclusion to the concept, has been hacked away at to the point of almost complete dilution. Cue Terminator Genisys.

The unfairly maligned T3: Rise of the Machines attempted its own sense of finality until Terminator: Salvation came along and put what seemed like a nail in the cinematic coffin, as leaden and misjudged as it was. Enter Skydance to mop up the rights to James Cameron’s franchise, long scattered to the Hollywood winds, and announce the beginning of a brand new trilogy that will revive the Terminator saga, not to mention revive the post-Governator Arnold Schwarzenegger in the most seminal role of his career. That’s fine, right? The Terminator franchise has always poked about in temporal mechanics, with multiple timelines on film and TV versions, not to mention multiple actors in the signature roles of Sarah Connor, John Connor and now Kyle Reese. Genisys would be the start of a fresh new take on the war against the machines, right?

Well no. There’s nothing fresh about Terminator Genisys. It could be described akin to a James Cameron greatest scenes hits package left out to steadily roast in the sun.