VARYS: Ah, the children. It’s always the innocents.
One of the interesting aspects of ‘You Win or You Die’, which I failed to mention in my analysis of that episode, was how the children were completely eliminated from view, at least the younger children who will prove so crucial to the central narrative of Game of Thrones. ‘The Pointy End’ redresses this balance by re-framing the episode from the perspective of a future generation who will shape the future of Westeros, so it is perhaps quite appropriate this is the first script to be written by George R. R. Martin.
Martin is, of course, the creative force behind this entire mythological world. As writer of A Song of Ice and Fire, he has devoted over the last twenty years of his life to the vast, sprawling narrative which began in A Game of Thrones in 1996 and will likely conclude with A Dream of Spring sometime, you would hope, before the Sun exhausts its fuel and the Earth crumbles to dust. Martin is a notoriously slow writer, even for someone putting together such a magnum opus at this – a short A Song of Ice and Fire novel tends to run at around 600-700 pages. Indeed one of the reasons Martin didn’t write an episode of the TV series after Season 4 is precisely because fans were hounding him, day and night, to finish The Winds of Winter, reputedly the penultimate book, which as of writing still remains to be published.