From 2012 onwards, before developing this blog, I wrote a multitude of reviews on the website Letterboxd. In this irregular series called From the Vault, I’m going to haul these earlier reviews out of mothballs and re-purpose them here.
This one is from December 20th, 2017, as we close in on Star Wars Episode IX: The Rise of Skywalker…
“This is not going to go the way you think!”
That line, spouted in pained fashion by Luke Skywalker, stood out in the intriguing trailer for Star Wars: The Last Jedi. It felt like more than a suggestion from Disney aka LucasFilm aka director Rian Johnson that the second film in the newest Star Wars trilogy would not follow a familiar template, as many have accused its predecessor The Force Awakens of doing. Luke’s words would turn out to bear fruit in a film which feels both like the box office shattering ultimate expression of Hollywood blockbuster it no doubt will be, and at the same time something wilfully subversive. Johnson started with small beginnings, with a precise and almost poetic low-budget modern noir, and you can still feel the pull of a director who wants to do things his way.
Doing things your way as a creative force on a series like Star Wars is no mean feat. Despite how Marvel have dominated the cinematic landscape in the last decade, Star Wars has no equal in terms of scope, scale and fan anticipation. When Disney bought the franchise from George Lucas in 2012 with the intention of relaunching the saga, it was the biggest news in filmmaking for many years. Considering it was originally just three space fantasy movies, and subsequently three maligned and ill-judged prequels from Lucas, the fact Star Wars as an entity has never left the public imagination or consciousness speaks to its power. Not everyone loves it, but those who do understand Star Wars has a special alchemy no other franchise can boast.
The Last Jedi is Rian Johnson asserting himself in striking fashion, with a script and story which determine to rip up the Star Wars rule book and potentially set the franchise in a bold new direction, while still honouring what came before. The fact producer Kathleen Kennedy and those at LucasFilm loved Johnson’s take so much that he has now been gifted his own unique Star Wars trilogy to devise—not just film, trilogy—shows they too are keen for Star Wars to spread its wings and embrace the future. The Last Jedi doesn’t entirely detach from the mythological themes and fantasy tropes Lucas’ movies, and indeed The Force Awakens, played with – but it feels like the start of a brave new world.Continue reading “From the Vault #21: STAR WARS EPISODE VIII: THE LAST JEDI (2017)”