X-Files: Albuquerque, which is currently being worked up for the network (and by extension their overlords, Disney), is planned to be an animated comedy revolving around a collection of “misfit agents who investigate X-Files cases too wacky, ridiculous or downright dopey for Mulder and Scully to bother with.” as described by TV Line’s Michael Ausellio. The project has a ‘script and presentation commitment’ from Fox (translated: if they like the script, they’ll let them make it) and is being developed by Rocky Russo & Jeremy Sosenko, with X-Files creator Chris Carter and his former PA/Season 11 scribe Gabe Rotter overseeing as executive producers. The old and the new joining forces, essentially, for a new chapter in the history of the series.
I say series because The X-Files will, if this does come to fruition, take the first steps to becoming a franchise; not just one singular, iconic series any longer, but rather part of a broader tapestry that could expand beyond the adventures of Fox Mulder & Dana Scully, who with David Duchovny & Gillian Anderson in the roles investigated America’s paranormal secrets between 1993-2002, across two movies, and then between 2016-2018 for what will, almost certainly, be a swan song for the traditional era of that show. Fans don’t want to admit it (I run an X-Files podcast so, trust me, I know), but the original series of The X-Files is done. Anderson doesn’t want to revive Scully again. Season 11 wrote the show into a corner, effectively, and it’s hard to imagine just what else you could do with the middle aged Mulder & Scully now that hasn’t been done.
In other words, this might be the right time for Albuquerque, if you subscribe to the idea The X-Files should even become a franchise at all.
SKINNER: Then you two came along, and you taught me not to hide from it, but to have the guts to shine a light directly into the darkest corners. And if given the choice between advancing my career by being blindly loyal to some faceless puppeteers pulling strings from the shadows, or to throw in with you two, make no mistake I’d make the same decision every damn time.
One of the major criticisms of the previous season of The X-Files, the six-part revival series after many years of uncertainty about the show’s future, is that we didn’t see nearly enough of Mitch Pileggi and his character, Assistant Director Walter Skinner. It was a more than valid concern in regards to a character (and actor) who have been, without question, one of the key reasons Chris Carter’s series became such a pop-cultural success. ‘Kitten’ is a clear, unashamed attempt to redress that balance, squaring the focus entirely on Skinner, his past and his present. The fact it disappoints, therefore, is not only a touch unexpected, but more than a little frustrating.
The character of Skinner has been with The X-Files since late in the show’s first season, debuting in ‘Tooms’ which aired early in 1994. Fitting the template of Agents Mulder & Scully’s boss, a template Carter had struggled to fill across the first season with a succession of potential, internal antagonists who came briefly and went, Skinner represented not just the FBI, but a bulwark of old-fashioned masculinity in a show with a female scientist and nerdy conspiracy theorist as leads.
Skinner is the equivalent of a small-town Sherriff in an American Western; a compromised man having to tolerate the lawless thugs who run his streets wild while proving sympathetic to the lawmakers and townsfolk he’s there to serve. Skinner described himself once by declaring to Mulder that “I stand right on the line that you keep crossing” and this contextualises his function, since essentially Season Two premiere ‘Little Green Men’, for the entire run of the series.