Let’s give X-FILES: ALBUQUERQUE the benefit of the Truth

Fox threw fans of legendary 1990s pop-culture phenomenon The X-Files a curve ball last week by announcing the development of a brand new, spin-off series.

X-Files: Albuquerque, which is currently being worked up for the network (and by extension their overlords, Disney), is planned to be an animated comedy revolving around a collection of “misfit agents who investigate X-Files cases too wacky, ridiculous or downright dopey for Mulder and Scully to bother with.” as described by TV Line’s Michael Ausellio. The project has a ‘script and presentation commitment’ from Fox (translated: if they like the script, they’ll let them make it) and is being developed by Rocky Russo & Jeremy Sosenko, with X-Files creator Chris Carter and his former PA/Season 11 scribe Gabe Rotter overseeing as executive producers. The old and the new joining forces, essentially, for a new chapter in the history of the series.

I say series because The X-Files will, if this does come to fruition, take the first steps to becoming a franchise; not just one singular, iconic series any longer, but rather part of a broader tapestry that could expand beyond the adventures of Fox Mulder & Dana Scully, who with David Duchovny & Gillian Anderson in the roles investigated America’s paranormal secrets between 1993-2002, across two movies, and then between 2016-2018 for what will, almost certainly, be a swan song for the traditional era of that show. Fans don’t want to admit it (I run an X-Files podcast so, trust me, I know), but the original series of The X-Files is done. Anderson doesn’t want to revive Scully again. Season 11 wrote the show into a corner, effectively, and it’s hard to imagine just what else you could do with the middle aged Mulder & Scully now that hasn’t been done.

In other words, this might be the right time for Albuquerque, if you subscribe to the idea The X-Files should even become a franchise at all.

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Project Crossroads: Where does The X-Files go from here?

The X-Files, one of the most recognised and beloved television properties of the last three decades, lies once again at a fascinating impasse.

‘My Struggle IV’, which I discuss here in depth, was billed as a finale, but it soon became clear Chris Carter only intended Season 11 to serve as a season rather than series finale. Despite Gillian Anderson’s claim this was her last time playing FBI agent Dana Scully, Carter has steadfastly refused to write a true ending for Scully and her erstwhile partner Fox Mulder. What many considered could well be the final time we saw these iconic characters, fates were left unresolved, storylines nebulous, and our two heroes were left staring down at a crossroads of two different paths: domesticity with the chance of a new family, or continuing their work investigating the paranormal. Their choice depends on many factors which lie beyond any decisions made by the two intrepid FBI agents in the show.

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