Andrew Davis, director of The Fugitive most notably, was the original choice to helm Universal Soldier but was replaced by Roland Emmerich, in his first Hollywood picture alongside co-writer Dean Devlin, and you sense had Davis helmed what stands as a textbook example of the high concept 90’s action thriller, it might have ended up a very different film.
Emmerich, who has made some terrific pieces of popcorn entertainment over the years—among his best arguably Independence Day and Stargate—is not exactly the most subtle of auteurs and that is evidenced as early as Universal Soldier, after he and Devlin originally were slated by super-producer Mario Kassar to make a science-fiction film called Isobar (eventually shelved). Universal Soldier isn’t the most exuberant film Emmerich has made to date but it could well be the silliest, the most empty-headed, and is without doubt the most homoerotic, and given Emmerich is known as a modern day Irwin Allen making crowd-pleasing, world landmark trashing, CGI-fuelled epics, that is quite the statement. It was always going to be this way when you throw in, as your leads, the double sucker punch of Jean-Claude Van Damme and Dolph Lundgren.
Truthfully, Universal Soldier is not a film that is ageing particularly well but with a beer in one hand and a pizza in the other, you would be hard pressed not to find some enjoyment in the hammy theatrics and ridiculous action set-pieces.
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