Hosted by Matt Latham, Pick A Disc is part of the We Made This podcast network and sees a guest choose an album of music which they come on to the show and discuss.
Latham–a very old friend of mine, first from the online and eventually the real world–was gracious enough to invite me back on to discuss the soundtrack to Quentin Tarantino’s Once Upon a Time in Hollywood, which I got on vinyl for Christmas.
This was a fun discussion, in Latham’s nice living room, about 60’s music, the cultural impact, Tarantino, movie soundtracks and more!
Continue reading “New Podcast: PICK A DISC – 'Once Upon a Time in Hollywood Official Soundtrack'”
When considering a movie, how often do you consider how it sounds? Not just the score, which many increasingly recognise as a crucial and celebrated component of a cinematic experience, but the aural aspect of how a film is put together. If your answer is “not much”, then Making Waves: The Art of Cinematic Sound is an eye-opener.
Directed by Midge Costin, a former sound editor who worked on films throughout the 80’s and 90’s (heavily on Jerry Bruckheimer productions such as Days of Thunder and Armageddon), Making Waves shines a light on sound design, a process which has been key to the history and evolution of cinema since the pioneering work of Eadward Muybridge all the way back in the 1870’s captured the possibility of an image on screen. Costin’s documentary roughly chronologically tells the story of sound in film, as Muybridge gave way to Melies and the silent film era of the early 20th century, all of which struggled to sync manufactured sound to film. Theatres would use orchestras or even employees banging equipment to mimic sound alongside image. None of it came from the actual picture at first, movies often shot in locations filled with sound because only image was required.
Then along came Don Juan, with John Barrymore, adding sound to image and finally the first talkie, The Jazz Singer, more infamous now for a blacked up Al Jolson, but which for the first time had audiences hearing someone not just sing but talk on a motion picture screen. Making Waves takes that history and runs with it across the subsequent century.
Continue reading “Film Review: MAKING WAVES: THE ART OF CINEMATIC SOUND (2019)”
Hosted by myself and journalist/film score aficionado Sean Wilson, Between the Notes is a podcast devoted to the sounds of cinema which airs between every two-four weeks.
This time, we tackle the Monster Movie with a discussion of Godzilla: King of the Monsters, featuring an interview with composer Bear McCreary, plus put together a Top 5 Monster Movie scores list to honour this musicals special, including discussion of films including Jaws, Predator and Godzilla (2014)…
Continue reading “New Podcast: Between the Notes – ‘Godzilla: King of the Monsters’ (ft/Bear McCreary)”