The good news is that while Bill & Ted Face the Music isn’t excellllllent!, it certainly is far from bogus.
Frankly, it should have been. Resurrecting a series almost three decades after the previous picture is hardly a recipe often for success. Bill & Ted’s Excellent Adventure and Bill & Ted’s Bogus Journey are so inextricably tethered to the late ‘80s and early ‘90s that the idea those characters, and that world, could be revived seems unfathomable. Surely too much has changed? Are we not too cynical to embrace the sweet-natured, MTV generation, latent stoner-kid reverie of films that could not more epitomise the comfort of America’s cultural hegemony at the end of the 20th century if they tried? As it turns out, that is kind of why Bill Preston and Ted Logan’s third outing works so well.
The original films were infused with innocence, trading on established cultural cliches that Western audiences understood and appreciated. Bill and Ted were less dim-witted than amiable, optimistic teenagers who simply wanted to play music, hang out and be excellent to each other, and those films pointedly project their kind, collegiate mindset in the direction of a utopian future that seemed achievable to an America sailing out of the long Cold War. Bill and Ted literally inspired a future build on concepts of friendship, goodness and learning, almost antithetically to their middle-class ‘dude bro’ avoidance of school and learning, which underscored the point: being yourselves, being happy, partying on and caring for one another can make a better future.
It therefore fits that Bill & Ted Face the Music, thirty years on into a decaying century, actively attempts to throw such a utopian mindset in doubt, but counters the prevailing mood by suggesting we can, actually, do better.