Hosted by myself alongside regular guests, Make It So: A Star Trek PicardPodcast is a series devoted to the upcoming CBS All Access series Star Trek: Picard, delving into each episode and exploring the show when on the air.
In this episode, I’m joined by The Time Is Now‘s Kurt North to discuss the newly released IDW Publishing comic Star Trek: PicardCountdown #2, the second in a three-part prequel comic series written by Mike Johnson & Kirsten Beyer which tells the story of Jean Luc-Picard’s time as an Admiral during the Romulan supernova crisis, almost 15 years before Star Trek: Picard.
We also discuss our excitement for the new show with it just five short weeks away…
Every now and then I contribute to other websites writing about film, TV, media and sometimes comics, as in this piece for Pop Culture & Comics.
In this piece, I look at the second issue of Star Trek: Picard – Countdown, the new IDW Publishing tie-in comic which directly leads into the upcoming, much anticipated CBS All Access (or Amazon Prime) show launching in January.
Tie-in fiction loves a good crossover event and Star Trek, in particular, is full of them.
Outside of recent Trek crossovers with Planet of the Apes, Transformers and Green Lantern, IDW Publishing most recently have tied into Star Trek: Discovery‘s narrative trends with a heavy focus on the Mirror Universe (particularly the untold on TV story of TheNext Generation side of the Mirror coin) and now The Original Series with the newly launched Year Five, but The Q Conflict is a different animal. It is the kind of story that could only take place in tie-in continuity for a variety of reasons, and more specifically the comic as opposed to the novel. It feels mostly in step with Doctor Who events such as The Two Doctors, The Three Doctors or The Day of the Doctor; tying together in this case the legendary Starfleet Captains and crews across the four most popular Star Trek series from the last 50 years.
The Q Conflict is, consequently, a huge gimmick which hinges on the excitement of seeing Kirk, Picard, Sisko and Janeway, and key members of their crews, working together. How long that gimmick may last is open to question.
When I’m not looking at all kinds of geeky media on this blog, I’m co-running my website Set The Tape, on which I now and then publish content. This is part of a review you can find the rest of in the link below.
Half a century on, The Prisoner remains a truly landmark piece of television. Much like Twin Peaks some quarter of a century later, Patrick McGoohan & George Markstein’s series adds definition to the era it was made while remaining defiantly *in*definable. A 16-part series for British TV channel ITV, The Prisoner ostensibly concerned an intelligence agent—known only as Number Six—who, after quitting for undisclosed reasons, finds himself captive in The Village – a strange, quaint British seaside town filled with nebulous intelligence operatives looking for why he left the service. This, however, is just the base layer.
The Prisoner was much like a set of Russian dolls in terms of narrative and comprehension – every answer just seemed to lead to another question. It remains one of the most fascinatingly bizarre TV shows ever made, on British TV or anywhere else, steadfast in its refusal to provide conventional narrative storytelling; indeed the more its star McGoohan took control of the reins, the stranger the concept became.
McGoohan edged it away from being a quirky spy thriller (and possibly sequel to his earlier hit series Danger Man) and further into an allegorical, surrealist farce designed to commentate on the evolving idea of big government and deep surveillance on society. By the end of its final episode, ‘Fall Out’, his message was clear. *Everything* is the Village.