The latest episode of my podcast about cinema I’ve launched with my friend and podcast buddy, Carl Sweeney.
Motion Pictures is designed to be more of an informal, free-flowing chat about movies, geared around a topic of the week. There will also be choice episodes around an idea, whatever takes our fancy really! It’s an exciting project.
In this one, with Doctor Sleep now out, we explore the enduring popularity of Stephen King as a writer of copious novels and short stories and how many of them convert successfully, or unsuccessfully, to celluloid – from Brian de Palma’s Carrie to Rob Reiner’s Misery to Andy Muschetti’s two-part adaptation of It, and beyond.
Continue reading “New Podcast: MOTION PICTURES #4 – ‘Stephen King’s America’”
The latest season of Stranger Things, Netflix’s nostalgic 1980’s-set adventure, took an interesting left turn toward the end of its run. The second season had built on the first, continuing the story of a group of teenagers in Hawkins, Indiana, 1984, after they uncovered a conspiracy of government scientists awakening psionic powers within innocent children, with the express means of opening a doorway into the ‘Upside Down’, a dark, demonic reflection of our world. Arguably the breakout star was Millie Bobby Brown as Eleven, an androgynous young girl raised by an amoral scientist she named ‘Papa’, before escaping and being taken in by teenager Mike and his party of 80’s geeks.
The Goonies meets The X-Files, right? That and about a dozen other touchstones, from Spielberg’s E.T. through to Stephen King’s Carrie. Eleven proved to be the character who leapt into the popular consciousness with a measure of innocent vulnerability and youthful verve, and it makes sense for creators The Duffer Brothers to give Eleven her own character journey across the second run, in far more of a pointed way than the rest of the ensemble. It’s through Eleven that we find an interesting narrative choice played out by the creators in the second to last episode.
Stranger Things season two operates in a logical manner, developing character arcs for the group – Dustin adopting a monstrous pet, Lucas’ teenage adoration for tomboy and new team member Max, Steve breaking out as the star of the second season, moving from popular jackass to true, underdog hero. So by the time we reach the end of the sixth episode, ‘The Spy’, the scene has very much been set for an epic climax to the story; Will is possessed by the ‘Mind Flayer’ shadow monster, Eleven discovers the truth about her mother and family past, and Hopper sees the government lab in Hawkins being to be invaded by legions of ‘Demi-gorgons’, the monster lap dogs of the Mind Flayer essentially. The first season had eight episodes yet season two has nine, simply for the fact the two-part climactic beat is forestalled in order to squeeze in an episode not originally part of the season tapestry – episode seven, ‘The Lost Sister’.
Continue reading “Stranger Things, Lost and the Sudden Left Turn”