2019 Top 10: Movies

As we close out 2019, it’s time to put together a few Top 10 lists based on my key entertainment passions – film, TV and film scores.

I’ve gone back and forth on decade lists but I suspect I’m just going to keep to 2019 releases on the blog, and maybe do something more with the decade on my Twitter or FB, so stay tuned in that regard.

Next up – movies! I’ve done quite well this year, managing to watch a good 50 movies from the calendar year, which is more than I sometimes manage. So I feel placed to at least come up with a reasonable Top 10, even though I know I have a few blind spots & certain films will probably push out the lower films on this list eventually. But that’s for the future, so here goes…

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2019 Top 10: Film Scores

As we close out 2019, it’s time to put together a few Top 10 lists based on my key entertainment passions – film, TV and film scores.

I’ve gone back and forth on decade lists but I suspect I’m just going to keep to 2019 releases on the blog, and maybe do something more with the decade on my Twitter or FB, so stay tuned in that regard.

I’m going to start with Film/TV Scores. This hasn’t been as great a passion for me in the second half of 2019, after especially the end of Season 1 of Between the Notes, but I’ve still been listening along to cinematic and prestige TV music, so here are my choices for the most impressive listens of 2019, with a sample to listen to along the way…

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Tony Talks #16: Me and Rakuten TV

The age of streaming is well and truly upon us, guys.

This, you already know. You no doubt subscribe to a wealth of different providers. If you’re in the States, you’re overloaded with cable channels alongside streaming giants. If you’re in the UK, satellite TV and the dominance of Sky has given way to Netflix or Amazon Prime, and soon the new big movers and shakers on the immediate horizon – Apple TV+ and Disney+. You even have, tucked away within Prime, a range of sub-channels depending on your taste – Mubi, StarzPlay, BFI, Shudder and if you want a reality TV fix, Hayu (though I doubt many readers of this blog are subscribers there…).

I’d like you to pause for a minute or two and consider another kid on the block. He’s been there for a while, lurking on your plasma smart TV’s, quietly waiting for a chance to impress. His name is Rakuten and he’s actually got some skin in the game, I’ve found recently. Here’s why.

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Rage Against: X-Men – Dark Phoenix (2019)

Dark Phoenix is not quite the coda to the X-Men franchise that you might have expected going in.

For quite some time now, general feeling among a large swathe of the movie going audience invested in comic book cinema has been the belief that Dark Phoenix would be a significant let down. Despite the critical successes, even taking into account their flaws, of X-Men: First Class and X-Men: Days of Future Past, X-Men: Apocalypse was a strong case of diminishing returns (critically and financially as it turns out) which took a lot of air out of the X-Men balloon when it came to enthusiasm for the next generation of the franchise – having established new versions of Jean Grey, Cyclops, Storm etc… to help presumably carry the X-Men saga into a new era. With Bryan Singer no longer involved in the production due to the allegations against him, and long-term writer Simon Kinberg making his directorial debut, plus the usual report of reshoots of the final act and the film’s release being pushed back over half a year, the omens for Dark Phoenix outdoing Apocalypse and providing a satisfying end to this iteration of the saga were low. Perhaps the biggest surprise about Dark Phoenix, in which case, is that it *is* a better film than Apocalypse and just about accomplishes what it sets out to do.

Let me state this clearly for the record: Dark Phoenix is not a great X-Men film, or comic-book movie in general. When up against the heights of the medium, be it the Marvel Cinematic Universe at its peak or The Dark Knight trilogy, Dark Phoenix cannot compete. It is at times noisy. It can be unintentionally funny in how overwrought the central story finds itself. It suffers from some of the worst villains in the entirety of comic book cinema. It ignores elements of its own continuity and numerous character arcs for expediency. Plus it lacks a great deal of depth when it comes to the underpinnings geopolitical and social aspects that made the X-Men films more than just effects-driven spectacles. It focuses so tightly on one character journey in particular that much of the saga’s entertaining subtext is rejected. Yet despite all of this, it is not incoherent. It is a better adaptation of ‘The Dark Phoenix Saga’, the 1980 comic story from Chris Claremont and John Byrne, than X-Men: The Last Stand gave us. It does manage to give key characters Charles Xavier and Erik Lensherr, as well as Jean Grey of course, dramatic through-lines which tether to the core narrative in a satisfying way.

And, perhaps as best it could, Dark Phoenix gives a level of closure to the X-Men franchise that we can probably live with.

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TV, Book, Movie & Podcast Roundup – May 2019

Welcome to June! Because there’s not enough useless information floating around on the internet, I thought I would update readers of this blog as to what I’ve watched/read over the previous month, each month, in the form of TV, movies and books.

Some of this I will have reviewed on Cultural Conversation but others I’ve just been watching for enjoyment with Mrs Black.

Let’s start this month with TV…

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New Podcast Guest Appearance: The 250 – Avengers: Endgame

Hosted by film writer Darren Mooney of The M0vie Blog and Andrew Quinn, The 250 is an excellent, Irish-based film podcast which covers the 250 Top Movies as voted by IMDB users.

Every now and then, a brand new movie pops into the 250 list (sometimes not for long) and Darren & Andrew cover it. It’s become an unofficial annual thing over the last two years for me to guest on The 250 for Marvel’s big Easter hitters – you can find my appearances on the episodes covering Guardians of the Galaxy Vol. 2 and Avengers: Infinity War at the links provided.

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New Podcast: Between the Notes – ‘Avengers: Endgame / Top 5 Superhero Scores’

Hosted by myself and journalist/film score aficionado Sean Wilson, Between the Notes is a podcast devoted to the sounds of cinema which airs between every two-four weeks.

This time, we are joined by film journalist Amon Warmann to discuss the score to Avengers: Endgame by Alan Silvestri, plus our Top 5 Superhero Movie scores of all time.

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TV, Book and Movie Roundup – April 2019

Welcome to May! Because there’s not enough useless information floating around on the internet, I thought I would update readers of this blog as to what I’ve watched/read over the previous month, each month, in the form of TV, movies and books.

Some of this I will have reviewed on Cultural Conversation but others I’ve just been watching for enjoyment with Mrs Black.

Let’s start this month with Film…

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