Over the course of last year, I began my first deep-dive TV review series looking at JJ Abrams’ Alias, which ran from 2001-2006. Over the next year, I’ll be looking at Season Two’s 22-episode run in detail…
Dead Drop is far more of a confident, layered episode of Alias than it is perhaps given credit for. While Cipher worked too hard to balance the colour of Season One with the myriad narrative aspects of the second season, Dead Drop contains a similar strong dramatic through line as we saw in Trust Me, only flipped.
Trust Me explored Sydney’s relationship with her mother Irina in light of her surrender to the CIA and how this rippled out to affect the characters around her, bringing Syd from a position of weakened denial to empowered strength. Dead Drop does the inverse through her relationship with her father Jack, taking her from a position of personal security to utter, child-like weakness. Syd is manipulated by both of her parents across the course of Season Two, but while Irina passively infiltrates the heart and mind of her daughter, Jack’s tactics are overt levels of psychological and emotional control. Dead Drop in many respects is Jack at his absolute worst – bitter, angry, completely lacking objectivity, self-destructive and ultimately corrupt, giving into his darkest instincts to sabotage a mission—even technically risk Syd’s life—in order to establish control over his grown up daughter’s life.
This is what makes Dead Drop as an episode so compelling because Jack’s twisted psychology is front and centre. Cipher did much of the leg work on this, establishing Jack’s growing frustration at Syd’s professional relationship with Irina, and Dead Drop dials in particularly on those character points. Jesse Alexander’s first script for the season therefore has a strong spine on which the rest of the narrative hangs, a clear internal arc as Jack’s manipulation affects Syd and the CIA’s dealings with her mother. It continues the second season’s initial trend of the missions no longer being the most important framework on which Alias episodes hang. The show now has enough dramatic meat on the bone, enough going on in terms of character and theme as well as plot, to justify fewer moments of pure action stylistics.
Though not a showy or particularly individually memorable episode of the show, Dead Drop is surprisingly essential to the establishing phase of the season.
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