2019 Top 10: Movies

As we close out 2019, it’s time to put together a few Top 10 lists based on my key entertainment passions – film, TV and film scores.

I’ve gone back and forth on decade lists but I suspect I’m just going to keep to 2019 releases on the blog, and maybe do something more with the decade on my Twitter or FB, so stay tuned in that regard.

Next up – movies! I’ve done quite well this year, managing to watch a good 50 movies from the calendar year, which is more than I sometimes manage. So I feel placed to at least come up with a reasonable Top 10, even though I know I have a few blind spots & certain films will probably push out the lower films on this list eventually. But that’s for the future, so here goes…

Continue reading “2019 Top 10: Movies”

2019 Top 10: Film Scores

As we close out 2019, it’s time to put together a few Top 10 lists based on my key entertainment passions – film, TV and film scores.

I’ve gone back and forth on decade lists but I suspect I’m just going to keep to 2019 releases on the blog, and maybe do something more with the decade on my Twitter or FB, so stay tuned in that regard.

I’m going to start with Film/TV Scores. This hasn’t been as great a passion for me in the second half of 2019, after especially the end of Season 1 of Between the Notes, but I’ve still been listening along to cinematic and prestige TV music, so here are my choices for the most impressive listens of 2019, with a sample to listen to along the way…

Continue reading “2019 Top 10: Film Scores”

Movie, TV, Book & Podcast Roundup: September 2019

Welcome to October! Because there’s not enough useless information floating around on the internet, I thought I would update readers of this blog as to what I’ve watched/read over the previous month, each month, in the form of TV, movies and books.

Some of this I will have reviewed on the blog but others I’ve just been watching for enjoyment with Mrs Black. This edition covers September which, well… ended up being quite a difficult month for several personal reasons, which means we’ve both digested far less than we normally would have. So this may be a shorter piece this time around!

Let’s start this month with Film *and* TV…

Continue reading “Movie, TV, Book & Podcast Roundup: September 2019”

AD ASTRA: a meditative journey up river to hope and conflict

Many critics have boiled down Ad Astra, James Gray’s ambitious space opera, to the phrase “Apocalypse Now… in space!”, and while this is hard to refute, Ad Astra feels as much Gray’s commentary on the difficult no man’s land between Gen X and Gen Y and the Baby Boomer generations.

Our protagonist, Brad Pitt’s quiet and contemplative astronaut Roy McBride, could have been played by a man in his 30’s. In some ways, he was; Pitt might be in his mid-50’s but his Peter Pan looks, while not ageless, are certainly allowing Pitt to play characters who ostensibly could be younger. This feels important to Ad Astra in how deep rooted the film is in how Roy exists in the shadow of his father, Tommy Lee Jones’ absent H. Clifford McBride, a NASA legend on the lines of Neil Armstrong who vanished on the Lima Project three decades ago – an ambitious attempt to reach the edge of the solar system and contact alien intelligence. Clifford has not just been mythologised by humanity but also by Roy, who is haunted by the terrifying question of whether, having followed in his father’s career footsteps, he will end up becoming a man who Roy steadily comes to realise was not the heroic bastion of humanity’s progress everyone believes.

“I do what I do because of my Dad” Roy states as he is placed on a literal quest to find not just his father but his father’s legacy. In this, you can see the Apocalypse Now parallels, moreover you can see Gray’s admitted inspiration—Joseph Conrad’s Heart of Darkness—in the journey Roy, much like Francis Ford Coppola’s Captain Willard, takes ‘up river’ on the search of a legend. Much like Willard, Roy externalises his thoughts via inner monologue, allowing his anxieties and concerns and existential turmoil to spill out as he travels his river, in this case the solar system. As in Apocalypse Now, or indeed Heart of Darkness, Ad Astra is less about the hardships of the difficult journey using near future spacecraft but Roy’s internal voyage of reflection, discovery and almost nihilistic destiny. Clifford becomes his darker id. Roy’s quest is one to destroy his own demon.

This is where Ad Astra crosses over from being simply a mythological quest into something else entirely. It becomes a generational battle.

Continue reading “AD ASTRA: a meditative journey up river to hope and conflict”