DAENERYS TARGARYEN: I am Daenerys Stormborn of House Targaryen, of the blood of old Valyria. I am the dragon’s daughter, and I swear to you that those who would harm you will die screaming.
The first season finale of Game of Thrones starts with the sight of blood, and ends in a vision of fire. Living up to its title, ‘Fire and Blood’ sees the culmination of the beginning of A Song of Ice and Fire on screen. The scene is set. The players have been introduced, at least the initial core who will carry through until the very final season – Jon Snow, Daenerys Targaryen, Arya Stark, Bran Stark, Sansa Stark, Cersei Lannister, Jaime Lannister and Tyrion Lannister – and Game of Thrones has fully established itself as a TV phenomenon in the making.
What these final two episodes of the first season, both directed by Alan Taylor, establish is that Game of Thrones also will not cleve to a traditional TV narrative structure. Besides only running for ten episodes a season, a trend show runners David Benioff & D.B. Weiss would set off across the burgeoning range of cable networks and streaming services over the next decades, Game of Thrones’ final episodes of a season are always structured much like epilogues. Traditionally, the finale has been where the biggest shocks take place in television, where character’s fates are decided, and often cliffhanger endings (hence the colloquial TV term which slipped into popular-culture) which will be resolved in the premiere of the following season.
This structure feels like a hold-over from continuing drama or soap opera, whereas Game of Thrones always, appropriately, structured its seasons like a novel. ‘Fire and Blood’ ends where George R.R. Martin’s A Game of Thrones ends, with the world established and the characters all heading down roads that will define them next season and beyond. ‘Baelor’ contained the biggest jaw dropping moments – Ned Stark’s execution, the Battle of the Green Fork (even if we never saw it), the death of Khal Drogo – whereas ‘Fire and Blood’ is about consolidating these points of no return and placing the chess pieces in this broad game in place for Season 2, and the show’s adaptation of Martin’s A Clash of Kings. It is very much a prelude for the war to come.