New Affiliated Podcast: THE X-CAST – ‘Season 6 / The Official Archives / Albuquerque’

Brand new podcast appearance.

In the latest episode of The X-Cast, myself and my co-host Carl Sweeney touch base on several pieces of X-Files related business…

– What we think of the new The Official Archives book.
– The news about the Albuquerque spin-off series, and what it means for the franchise.
– What’s coming for the rest of 2020 into 2021 for The X-Cast, including the live 500th episode series, Patron specials, and Season 6 coverage…

Continue reading “New Affiliated Podcast: THE X-CAST – ‘Season 6 / The Official Archives / Albuquerque’”

New Podcast: The X-Cast – ‘Home’

Hosted by myself and a collection of X-Files fans, The X-Cast: An X-Files Podcast is a weekly series delving into each episode of The X-Files and exploring supplemental topics, alongside interviews with cast and crew and other special events.

Continuing coverage of The X-Files Season 4, TI’m joined by Andrew Brooker of Character Unlock to discuss the season premiere, ‘Home’.

You can listen to the episode below on Spotify, on Spreaker, on Apple Podcasts and your podcast player of choice, or via direct download below.

Also if you enjoy the show and want to support the costly production, I’d love to see you join our thriving Patron community on Patreon. You can find subscription tiers if you click here.

The X-Files: Case Files #1 – ‘Florida Man pt 1’

For 25 years, FBI agents Fox Mulder and Dana Scully have been shining their flashlights into the shadows, searching for the truth. To celebrate this anniversary, IDW Publishing is launching a new series of The X-Files: Case Files!

Under this banner, faithful fans will see the release of numerous micro-series, featuring stories that explore X-Files of the past and present by top talent from comics and prose!

In “Florida Man…” Scully and Mulder are sent to a small Florida town to investigate a rash of bizarre crimes only to find themselves in the clutches of an alligator-worshipping cult…

The recent history of The X-Files in comic form has been an interesting one, informed in many respects by the revival of the show on FOX over the last three years. The first part of ‘Florida Man’ begins a new phase for IDW’s license of Chris Carter’s series called Case Files – an anthological approach to the adventures of Agents Mulder & Scully investigating the paranormal across America.

Joe Harris until last year had been carrying the torch for The X-Files under IDW, firstly with his originally-canonical ‘Seasons 10 and 11’, which picked up roughly from where second movie I Want to Believe left off, and later his own tie-in ongoing issue set within the continuity of the revival. His approach to The X-Files was frequently arcane, mythic and certainly in the ongoing issues set roughly during Season 10, highly political – indeed this caused his run on the series to draw criticism in certain quarters given how unashamedly anti-President Trump and the alt-right he was in his writing. While politics and The X-Files have always been key bedfellows, many wanted more of a streamlined take on Carter’s show. Case Files may well end up being what they wished for.

Continue reading “The X-Files: Case Files #1 – ‘Florida Man pt 1’”

The X-Men Files: Disney, the future, and William

If you’re a fan of The X-Files, there’s a very good chance you’ve now seen how it ends. The eleventh season, at any rate. To suggest The X-Files has truly ended with any kind of assurance is to suggest maybe Santa won’t be back next Christmas. By now, and as I’ve discussed previously, The X-Files doesn’t end. It’s always going to be with us, somehow.

What is now interesting is the fallout from the Season 11 finale, ‘My Struggle IV’, and what people are starting to look at as being the continuation of The X-Files. As I stated in a previous piece, we are at a crossroads in terms of where Chris Carter takes his beloved half a century old property. The season finale—which we’ll call it until Carter or anyone else confirms this iteration of the series is over—left Agents Mulder & Scully in the position where they can either pick up their work in some fashion and continue on, or walk away and begin a new life as the family unit millions of ‘shippers’ have always wanted them to be. However, what is interesting in fan circles is not Mulder & Scully’s future, but that of their son William.

Continue reading “The X-Men Files: Disney, the future, and William”

The X-Files – ‘Rm9sbg93zxjz’

MULDER: We need to be better teachers.

The X-Files has always been interested in technology, right from the word go, and ‘Rm9sbg93zxjz’ (which we will henceforth refer to as its translation, ‘Followers’) feels like the ultimate, final (if this is to be the last season) encapsulation of our pervasive anxiety around surrendering our world to artificial intelligence. More than any other X-File that concerns AI, it serves as a potent cautionary tale.

Much has been made about how the second revival season of Chris Carter’s seminal series owes a debt to Charlie Brooker’s modern science-fiction anthology show Black Mirror. ‘Followers’, honestly, could have been an episode of Brooker’s series, a show which absolutely owes a debt to the stylistics and conceptual ideas put in place over the last quarter-century by The X-Files.

Carter’s show has, in many ways, come full circle in many aspects across Season 11, and ‘Followers’ truly embraces and explores our combination of social media, applications which track our movements and allow us quick and easy access to everything from dining to transport to home appliances, and the accursed addiction to the ‘black mirrors’ of our ‘smart’ technology. It suggests, as many cautionary tales about modern technology do, that this obsession may be far from a good thing.

Continue reading “The X-Files – ‘Rm9sbg93zxjz’”

The X-Files – ‘Kitten’

SKINNER: Then you two came along, and you taught me not to hide from it, but to have the guts to shine a light directly into the darkest corners. And if given the choice between advancing my career by being blindly loyal to some faceless puppeteers pulling strings from the shadows, or to throw in with you two, make no mistake I’d make the same decision every damn time.

One of the major criticisms of the previous season of The X-Files, the six-part revival series after many years of uncertainty about the show’s future, is that we didn’t see nearly enough of Mitch Pileggi and his character, Assistant Director Walter Skinner. It was a more than valid concern in regards to a character (and actor) who have been, without question, one of the key reasons Chris Carter’s series became such a pop-cultural success. ‘Kitten’ is a clear, unashamed attempt to redress that balance, squaring the focus entirely on Skinner, his past and his present. The fact it disappoints, therefore, is not only a touch unexpected, but more than a little frustrating.

The character of Skinner has been with The X-Files since late in the show’s first season, debuting in ‘Tooms’ which aired early in 1994. Fitting the template of Agents Mulder & Scully’s boss, a template Carter had struggled to fill across the first season with a succession of potential, internal antagonists who came briefly and went, Skinner represented not just the FBI, but a bulwark of old-fashioned masculinity in a show with a female scientist and nerdy conspiracy theorist as leads.

Skinner is the equivalent of a small-town Sherriff in an American Western; a compromised man having to tolerate the lawless thugs who run his streets wild while proving sympathetic to the lawmakers and townsfolk he’s there to serve. Skinner described himself once by declaring to Mulder that “I stand right on the line that you keep crossing” and this contextualises his function, since essentially Season Two premiere ‘Little Green Men’, for the entire run of the series.

Continue reading “The X-Files – ‘Kitten’”