By definition, the Star Trek: Waypoint specials are fairly hit and miss in their anthological approach to the Star Trek universe, telling stories which fit in the greater lexicon without contradicting canon. Eschewing Discovery and Enterprise, this latest special focuses on the remaining four series in crafting a short story for each show at different points in their timeline.
The easiest way to report on these tales is to take them story by story, paragraph by paragraph.
Continue reading “Star Trek: Waypoint (Special 2019)”
Nostalgia seems to be a double edged sword right now in Hollywood. What on the surface appears to be a comforting guaranteed winner in terms of audience satisfaction and cinematic box office is becoming something of a poisoned creative chalice. The lacklustre critical (if not box-office) responses to pictures such as Jurassic World: Fallen Kingdom or Ocean’s Eight, sequels to long-standing, well-regarded franchises; or Lucasfilm’s decision to put a hold on more A Star Wars Story anthology movies after the tepid box office (by Star Wars terms) of Solo, seemingly putting immediately paid to rumoured Boba Fett & Obi-Wan Kenobi-centric films. There is a nostalgia blowback in progress, the ripple effect of which we are only beginning to understand.
Is this a ripple effect that, like the Nexus in Generations, threatens to engulf the future of the Star Trek franchise?
Continue reading “Nostalgia & Star Trek: Picard, Discovery and the Future”
In an attempt to try and tackle the onerous job of looking into the Star Trek book universe, thanks to the help of Memory Beta’s chronology section, I am intending to look at the saga in book form from stories which take place earliest in the franchise’s timeline onwards. This hopefully should provide an illuminating and unusual way of examining the extended Star Trek universe.
Part of this story takes place 446 million years ago.
‘The Escape’ is proof that Star Trek: Voyager was prepared to boldly go in no small measure right away when it came to the tie-in novelisations which regularly accompanied the television shows on screen across the 1980’s, 90’s and 00’s. Dean Wesley Smith & Kristine Kathryn Rusch, existing stalwarts of the Star Trek novel scene, throw the crew in the first Voyager tie-in novel right into an ambitious storyline which would make the Department of Temporal Investigations’ heads explode.
Voyager may have been a proxy for The Next Generation in many instances across its seven year shelf life but the approach the series took to time travel was right out of The Original Series playbook. In the 1960’s, it felt as though Captain Kirk and crew were zipping back through time every five minutes for some kind of adventure, and many of the show’s most memorable episodes involve the Enterprise travelling through time as well as space, such as ‘City on the Edge of Forever’.
Despite being made three decades later, with the more advanced narrative sensibilities that came with the 90’s, Voyager often seems defined by the show’s use of time-travel. Captain Janeway’s crew found themselves in different time zones far more than Captain’s Picard, Sisko or Archer in their respective shows, while Discovery to date has only dealt with it via a Groundhog Day-style time-loop episode.
Continue reading “Star Trek: Voyager – ‘The Escape’”